Mosteiro de Santo André de Rendufe
Vista exterior frontal
Vista do público
Vista do coro alto
Vista exterior frontal
Of uncertain origin, the Monastery of Santo André de Rendufe was founded by Egas Paes de Penegate on a plot of land donated by Count D. Henrique to the friars of the Benedictine Monastery of Abadia. However, according to an inscription on the pavement next to the triumphal arch, the church was completed in 1151. Due to the ruinous management of the commendatory abbots and the quarrels between them, the archbishop and the Vasconcelos family, the monastery was eventually closed in the 15th century and transformed into a collegiate church under the administration of Cardinal Alpedrinha. In fact, the latter's family owned the monastery until the 16th century, when the then commander D. Henrique de Sousa reformed and restored the monastic house.
This campaign of works allowed the church to remain in place until the 18th century, without it being integrated into the group of monasteries remodelled after the creation of the Benedictine Congregation in 1567. Throughout the 17th century, several renovations were undertaken with the aim of updating the church, as demonstrated by the façade of the entrance hall, inspired by models published in Serlio's architectural treatise. Although a complete renovation of the complex was undertaken in the 18th century, a large part of it was destroyed by a fire in 1877.
The Space
Recently renovated space with good access and parking.
Inside, there are no problems with humidity and the space has good insulation elements, namely double glazing on the windows.
The space has an interpretive center with security, an important element to guarantee access to the space and bathroom. There are also some storage spaces and furniture for loan (chairs, etc.).
Strengths:
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Lots of parking
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Access ramp
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Good natural lighting
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Access control panel lighting
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Accessible and friendly space managers
Weaknesses:
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Some lighting elements induce noise
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Museum ventilation noise audible in the church (although it was possible to turn it off)
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Church entrance floor too uneven for wheeled loads
Score from 0 to 10
8
Detailed information
The Sound
A space with good dimensions, and several possibilities of positioning for recording and performance. Main chapel with generous dimensions that allows this space to be adopted as a recording space with an attached reverberation chamber (Nave).
Very pleasant space response with special focus on the bass that is present in different tunings despite the size of the space.
The ensemble's sound image is especially evident in space, which facilitates sound separation.
Strengths:
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Balanced response with good bass response
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Good isolation from external noise
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Various areas
Weaknesses:
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Space for regie (sacristy) away from the representation area
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Central arch a little tight for a space of this size, which strangles some positions
Score from 0 to 10
7
Detailed information
The Surroundings
The area around the venue is calm. Services are relatively close by. It is not far from a large city (Lamego). The community closest to the building is small. On the day of the concert, there were not many people.
Strengths:
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Calm surroundings
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Nearby services
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Lots of parking
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Good access
Weaknesses:
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Low public attendance
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Building relatively close to the road
Score from 0 to 10
9